As a challenge, perhaps jokingly, a friend suggested that I try a remix of Carmina Burana.
This is a wonderful piece of music, but not a trivial one to work with as (a) it changes key, and (b) it often changes tempo ... not to mention having a wide range of moods and tonality.
Here is the first draft (and very much still a work in progress) of three of the movements. The main elements of Carmina were extracted using Native Instruments Traktor, with additional voices from the Komplete library played in on an AKAI MPK225 and a Native Instruments Komplete S62.
A must see presentation from Scott Galloway of NYU Stern, on the Four Horsemen of the internet (Apple, Google, Amazon and Facebook), who is winning and who is losing, and why Apple may very well be the first trillion dollar company.
Fasten your seatbelt, it's an action packed few minutes.
Another cold weekend by the fire, and another 2 hour project in the morning while the family sleeps; this time, starting with the excellent NEON Maschine Expansion Pack from Native Instruments, and selected components from the demo track "Fever Line". A wonderful way to explore what is possible with Maschine and the Komplete Library.
On a snowy, cold day in Toronto, what better way to pass the time than working on a new track. This time, a down tempo, chill-out vibe ... perhaps inspired by the dreary conditions outside, and the dream of warm outdoor evenings that surely must only be months away.
Sat down on a dreary Toronto morning and gave myself a 2 hour window to deliver something end-end. This track leverages the excellent Drop Squad Expansion Pack for Maschine.
I gave myself a bit of a head start with the "Back To Dub Roots" sample project. The rest was played in on Maschine Studio, and my tiny CME xKey travelling keyboard. Track was mastered on-line with LANDR.
Despite having used Bigwig for a number of months now, getting back to Maschine was a breeze thanks to the workflow of Machine Studio.
One of the frustrations with using keyboards as the predominant way in which to encode digital music is that they are a poor input device for capturing the nuances of wind and bowed instruments. Well, that's all about to change, as Hagai Davidoff illustrates in this video.
By using a Leap Motion controller, and the Reaktor "Ensemble Serenade III", he is able to mimic the motion of a bow on strings, and generate a richly textured set of outputs.
If you are interested in experimenting with the Leap Motion controller for making music, you need to check out the Geco Midi Controller (http://uwyn.com/geco/) as can be seen in the video below:
More flights, more remix projects. This one, a late night, somewhat moody remix of Wellenrausch's Hypnotize. Pulled together from a Traktor Remix Deck, with Strings and Voices (courtesy of Native Instruments Komplete Library) played in on the keyboard.
Spent some more time crossing back and forth across the Atlantic last week, took some much needed downtime to work on a new remix. This one a is a bit more moody ... that's what staring out into a dark sky at 35,000 feet in the middle of nowhere will do to you ... call this a "late night feel".
Personal blog of an international FinTech executive.
Hi, I'm Mark Ruddock, I'm a Canadian entrepreneur with two successful exits and over 20 years of experience at the helm of VC backed technology startups.
I'm currently Chairman of Finstar Labs. Our mission at Finstar Labs is to identify, invest in and help create the cutting edge user experiences, enabling technologies, and data science that will lay the foundation for the next generation of alternative financial services.
Prior to that I was Managing Director, International at Wonga, responsible for overseeing all businesses outside of the UK, including consumer lending businesses in Canada, Spain, Poland and South Africa and our eCommerce and product financing business BillPay in Germany.
Prior to that I was the CEO of Viigo, which became one of the most highly downloaded Blackberry apps of all time before being acquired by RIM (Blackberry) in 2010.
Before that I was the founder & CEO of INEA, an enterprise software company focused on the financial services industry, which was acquired by Cartesis in 2005, and is now part of SAP.